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Month: December 2012

Bestiaries and Their Users in the Middle Ages

Bestiaries and Their Users in the Middle Ages

Ron Baxter

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I would say rather that in each of these cases real historical givens and experiences elicited and made legitimate the expressions of faith in the Biblical texts … The expressions of faith (for example) concerning the virgin birth were not late hellenistic but early Jewish-Christian expressions, which stand in the O. His books mainly disregarded the subject of genres that remained the main theme of the classical criticism.

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Emigrants and Exiles: A Lost Generation of Austrian Artists

Emigrants and Exiles: A Lost Generation of Austrian Artists

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The End of the Historical-Critical Method. Yet discrepancies should not be overplayed (p. 198), for “canonical critics” teach us that “the Church” formed a canon to express its theology and Barth teaches that “God’s self-revelation does not emerge from history” but vice versa (p. 199). He had no time to waste, and he had an unerring sense of direction. La Vie de J�sus (1863), by a Frenchman, Ernest Renan (1823�1892), continued the same tradition. Ben Witherington III asserts, “Mark is not a work of ancient or modern fiction, and this means that some things which apply especially to modern fiction do not apply to Mark” (The Gospel of Mark: A Socio-Rhetorical Commentary, Grand Rapids:William B.

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Tony Oursler: 1997-2007

Tony Oursler: 1997-2007

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In developmental psychological terms, games serve to rehearse people (or monkeys or cats) in complex behaviour patterns, needing practice; [...] Young animals play the games most suited to their inner state and developmental needs at any time; games are not arbitrary but pre-selected by innate self-organizing learning programs. [...] What the avantgarde seem to be playing at is practice making up rules and telling other people what to do and disapproving of them if they don't comply. " - Andrew Duncan, Angel Exhaust 9 "How the protagonist chooses here gives us the most penetrating vision of his deep character, the ultimate expression of his humanity. / This scene reveals the story's most important value", Robert McKee, "Story", It Books, 1997, p.304 "The key to all story endings is to give the audience what it wants, but not the way it expects", William Goldman "short stories seem to have gone the way of poetry - written by dedicated artists who love the form even though they cannot make any money from it, and largely read by other short story writers or wanna-be short story writers in MFA programs, where the form has become a favoured teaching tool, since novels are too large and unwieldly for classroom discussions and too much work for teachers to read", Charles E May, "Interview by Rupert Dastur in The Short Story", 7th August 2015 "the form of the novel was closely connected with the growth of Protestantism, the rise of capitalism and the cultural significance of a growing individualism in society", Ronald Carter, "Language and Creativity: the art of common talk", Routledge, 2004, p.26 "All but a handful of my stories have come from combining two completely unrelated ideas", Orson Scott Card, "How to write science fiction and fantasy, Writer's Digest Books", Writer's Digest Books, 1990, p.33 "Defoe's plot of fortune-making is thought of as apt to his mercantile-puritan era ...., and eighteenth-century picaresque to the era of the stagecoach, and the epistolary novel of the eighteenth century to contemporary stirrings of domesticated bourgeois female consciousness, and the mature, connected-up Dickensian plot to the great agglomerations of people in the Victorian city and to speeded-up railway communications, and George Eliot's highly deterministic ethical plots to her interest in contemporary sociology, and modernist plots of epistemological hesitation, refusal, and general unknowing ... to collapses of confidence in the old Christianized legal and moral order ... the mid-twentieth-century plots oof those Roman Catholic converts ... to the anti-modernist reaction ... to read Beckett ... as related to wide challenging of faith in logos ... to take Julian Barnes's essayistic mode ... as postmodernism's denial of the truthfulness of the merely fictional", Valentine Cunningham, in "On Modern British Fiction", Zachary Leader (ed), OUP, 2002, p.152-3 "Genre fiction copes by using a simple but emotionally based style that forges immediate involvement in a character's actions without the need for psychological complexity", Margret Geraghty, "More five-minute writing", Constable and Robinson, 2013 "The allure of apocalyptic narrative will not disappear with the absence of the book; after all, it predated it, and it persists in several cultural situations today in which books play no great role in the dissemination of stories", Brian Kim Stefans, " Language as Gameplay: toward a vocabulary for describing works of electronic literature ", EBR, 2012 "When I write a story I want to make a certain kind of structure, and I know the feeling I want to get from being inside that structure", Alice Munro" "The first thing we see about a story is its mystery.

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Sue Hubbard: Adventures in Art, Selected Writings 1990-2010

Sue Hubbard: Adventures in Art, Selected Writings 1990-2010

Sue Hubbard

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Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past. You might ask, "How does the text embody a history of its time? In it resemblances in the three Gospels are explained by an oral tradition assumed to have attained a relatively fixed form while the apostles were yet teaching together in Jerusalem. As a form the miracle story is characterized by a history of oral transmission that heightened the difficulty of the wondrous act and provided names and other minor details to enhance what Rudolf Bultmann calls the "novelistic" aspect of the tale. flh Mishnah A collection of the Pharisaic/Rabbinic oral tradition first begun by R.

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Information Is Alive: Art And Theory On Archiving And

Information Is Alive: Art And Theory On Archiving And

Arjun Appadurai, Joke Brouwer, Simon Conway Morris

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Deconstruction (1967–present): A philosophical approach to reading, first advanced by Jacques Derrida that attacks the assumption that a text has a single, stable meaning. Form criticism breaks the Bible down into sections (pericopes, stories) which are analyzed and categorized by genres (prose or verse, letters, laws, court archives, war hymns, poems of lament, etc). Many events are criticized for being generic and basically drives to get people purchasing ROBUX.

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Introduction to Italian Sculpture - Volume 1

Introduction to Italian Sculpture - Volume 1

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As we understand the story better, it is likely that the mystery does not necessarily decrease; rather it simply grows more beautiful", Eudora Welty " "The type of mind that can understand good fiction is not necessarily the educated mind, but it is at all times the kind of mind that is willing to have its sense of mystery deepened by contact with reality and its sense of reality deepened by contact with mystery", Flannery O'Connor" "The idea of a coincidence that is not perceived by the characters whom it affects often intrigues novelists", John Mullan, "how novels work", Oxford UP, 2006, p.281 "In general, paragraphs have become short in novels over the last century", John Mullan, "how novels work", Oxford UP, 2006, p.226 "the first person, in the long piece, is a form doomed to looseness", Henry James, "The Ambassadors", (preface) "a majority of literary novels published in the last couple of decades have been written in the first person", David Lodge, "Consciousness and the Novel", Penguin 2002, p.86 "Before the nineteenth century, novelists had little interest in dialect speakers, except to mark them off as comically foolish", John Mullan, "how novels work", Oxford UP, 2006, p.131 "Satire does not always like easily within novels.

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English society of the eighteenth century in contemporary

English society of the eighteenth century in contemporary

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The Qur'an and the Hadith were passed on orally in a single generation before they were committed to writing. Latin poetry was concerned with similar issues: Horace’s Ars Poetica is both a poem and one of the most influential texts of ancient criticism. Greenberg, C. “Towards a Newer Laocoon.” 1940. Warton, Hurd, Lowth, Blair, Whiter -- Theorists on aesthetic experience: Hume, Burke, Reynolds, Kames, Campbell, Beattie, Jones -- The practitioners speak: Goldsmith, Mackenzie, Cumberland."@ en;

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Art, Myths and Visual Culture of South Asia

Art, Myths and Visual Culture of South Asia

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Haviland states that Hawthorne, "America's greatest allegorist," used allegory to attack the American version of romantic symbolism--transcendentalism--because he saw how vicious idealism could be in practice (279). Letis, editor of The Majority Text: Essays and Reviews in the Continuing Debate (Fort Wayne, IN: Institute for Biblical Textual Studies, 1987), seems to use fulminatory language against everybody, for he is in something of a theological no man’s land: his volleys are directed not only at modern textual criticism, but also at majority text advocates (since he advocates the TR)—and even against inerrantists!

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The Turner Prize

The Turner Prize

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Bainton, Roland H. "Ernst Troeltsch - Thirty Years Later." Furthermore, "except" implies something like "well, there is an exception to my statement that there is nothing to do" whereas "unless" implies "well, you could consider this as an option, but why would you want to?" In this section we will examine very briefly how the Christians condemned the textual criticism of the New Testament during its inception. This openness is akin to the receptivity of reason before faith.

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Thoughts on Art and Life (Illustrated)

Thoughts on Art and Life (Illustrated)

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As you read a new book, keep a personal journal in which you write daily entries reflecting on what you have read. In this epistolary work, Lang has presented spoof letters that he wrote to various deceased authors. But a capital distinction is to be made between criticism as applied to the Old and as applied to the New Testament. Matthew's Gospel was written in the late first century, perhaps a generation after Jesus' death. From the Ancient Greek period to the present day, we learn about critics' lives, the times in which they lived and how the same problems of interpretation and valuation persist through the ages.

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